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Secrets of Women

Women’s bodies and the study of anatomy in Italy between the late thirteenth and the mid-sixteenth centuries.

Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing attention to what they called “women’s secrets,” by which they meant female sexuality and generation. At the same time, Italian physicians and surgeons began to open human bodies in order to study their functions and the illnesses that afflicted them, culminating in the great illustrated anatomical treatise of Andreas Vesalius in 1543. Katharine Park traces these two closely related developments through a series of case studies of women whose bodies were dissected after their deaths: an abbess, a lactating virgin, several patrician wives and mothers, and an executed criminal. Drawing on a variety of texts and images, she explores the history of women’s bodies in Italy between the late thirteenth and the mid-sixteenth centuries in the context of family identity, religious observance, and women’s health care. Secrets Of Women explodes the myth that medieval religious prohibitions hindered the practice of human dissection in medieval and Renaissance Italy, arguing that female bodies, real and imagined, played a central role in the history of anatomy during that time. The opened corpses of holy women revealed sacred objects, while the opened corpses of wives and mothers yielded crucial information about where babies came from and about the forces that shaped their vulnerable flesh. In the process, what male writers knew as the “secrets of women” came to symbolize the most difficult challenges posed by human bodies―challenges that dissection promised to overcome. Park’s study of women’s bodies and men’s attempts to know them―and through these efforts to know their own―demonstrates the centrality of gender to the development of early modern anatomy.

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About the book

About the Author

Katharine Park's book Wonders and the Order of Nature, 1150-1750 (Zone Books, 1998), coauthored with Lorraine Daston, won the Pfizer Prize for the best book in the history of science. She is Zemurray Stone Radcliffe Professor of the History of Science at Harvard University.

Product details

  • Publisher ‏ : ‎ Zone Books – MIT; Reprint edition (23 April 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 424 pages
  • ISBN-10 ‏ : ‎ 1890951684
  • ISBN-13 ‏ : ‎ 978-1890951689
  • Item Weight ‏ : ‎ 658 g
  • Dimensions ‏ : ‎ 15.24 x 3.18 x 22.86 cm

Book Release Meet & Greet

I should be incapable of drawing a single stroke at the present moment and yet I feel that I never was a greater artist than now. then I feel the presence of the Almighty, who formed us in his own image, and the breath.

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Overview of Book

It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy.

Author

Rufi Thorpe

Novel Prize Winner 2012

I should be incapable of drawing a single stroke at the present moment and yet I feel that I never was a greater artist than now. then I feel the presence of the Almighty, who formed us in his own image, and the breath. A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart.

Published Year

1993

Page Count

1200

ISBN

32546987128

Publisher

Buku Satu Press

Series

Series 1

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Editorial Review

David L. Golemon is the author of the Event Group Thrillers, including Event, Ancients, Leviathan and Primeval. Legend, the second book in the series, was nominated for a RITA award for paranormal fiction. Golemon learned an early love of reading from his father, who told him that the written word, unlike other forms, allows readers to use their own minds, the greatest special effects machines of all―an idea Golemon still believes. The only thing he loves more than writing is research, especially historical research, and he sees the subtext of his Event novels as being that understanding history allows us to create a better future.

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